Misty Mountains Cold

JRR TOLKEN

Far over the misty mountains cold

To dungeons deep and caverns old

We must away ere break of day

To seek the pale enchanted gold.

The dwarves of yore made mighty spells,

While hammers fell like ringing bells

In places deep, where dark things sleep,

In hollow halls beneath the fells.

For ancient king and elvish lord

There many a gleaming golden hoard

They shaped and wrought, and light they caught

To hide in gems on hilt of sword.

On silver necklaces they strung

The flowering stars, on crowns they hung

The dragon-fire, in twisted wire

They meshed the light of moon and sun.

Far over the misty mountains cold

To dungeons deep and caverns old

We must away, ere break of day,

To claim our long-forgotten gold.

Goblets they carved there for themselves

And harps of gold; where no man delves

There lay they long, and many a song

Was sung unheard by men or elves.

The pines were roaring on the height,

The winds were moaning in the night.

The fire was red, it flaming spread;

The trees like torches blazed with light.

The bells were ringing in the dale

And men looked up with faces pale;

Then dragon’s ire more fierce than fire

Laid low their towers and houses frail.

The mountain smoked beneath the moon;

The dwarves, they heard the tramp of doom.

They fled their hall, to dying fall

Beneath his feet, beneath the moon.

Far over the misty mountains grim

To dungeons deep and caverns dim

We must away, ere break of day,

To win our harps and gold from him!

The Spring Flowers East of Eden:

John Steinbeck Chapter 1

The spring flowers in a wet year were unbelievable. The whole valley floor, and the foothills too, would be carpeted with lupins and poppies. Once a woman told me that colored flowers would seem more bright if you added a few white flowers to give the colors definition. Every petal of blue lupin is edged with white, so that a field of lupins is more blue than you can imagine. And mixed with these were splashes of California poppies. These too are of a burning color—not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of the poppies. When their season was over the yellow mustard came up and grew to a great height. When my grandfather came into the valley the mustard was so tall that a man on horseback showed only his head above the yellow flowers. On the uplands the grass would be strewn with buttercups, with hen-and-chickens, with black-centered yellow violets. And a little later in the season there would be red and yellow stands of Indian paintbrush. These were the flowers of the open places exposed to the sun.

Under the live oaks, shaded and dusky, the maidenhair flourished and gave a good smell, and under the mossy banks of the water courses whole clumps of five-fingered ferns and goldy-backs hung down. Then there were harebells, tiny lanterns, cream white and almost sinful looking, and these were so rare and magical that a child, finding one, felt singled out and special all day long. When June came the grasses headed out and turned brown, and the hills turned a brown which was not brown but a gold and saffron and red—an indescribable color. And from then on until the next rains the earth dried and the streams stopped. Cracks appeared on the level ground. The Salinas River sank under its sand. The wind blew down the valley, picking up dust and straws, and grew stronger and harsher as it went south. It stopped in the evening. It was a rasping nervous wind, and the dust particles cut into a man’s skin and burned his eyes. Men working in the fields wore goggles and tied handkerchiefs around their noses to keep the dirt out. The valley land was deep and rich, but the foothills wore only a skin of topsoil no deeper than the grass roots; and the farther up the hills you went, the thinner grew the soil, with flints sticking through, until at the brush line it was a kind of dry flinty gravel that reflect-ed the hot sun blindingly.

One Flew Over The Cuckoos Nest

Ken Kesey